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Needlepoint and Cross Stitch Tips

 

 
The Isolated Stitch
If you have a needlepoint project that has many isolated stitches you can do the isolated stitches with a single ply of yarn. Just go over each stitch three times on 10 mesh canvas or two times on 12 or 14 mesh canvas. This eliminates runners of bulky yarn on the back of your work. Submitted by Ellen Holmes. Tips Index

 
Incredible Basketweave/Frame Method Improves Appearance of Needlepoint Like Magic!
By Clara Denton Farthing

If you needlepoint without a frame, do you have an out-of-square distortion that is difficult to block in the finished work? If you do use a frame to solve that problem, do you get twisted, split threads and an unrecognizable basketweave? Here are a few tips and tricks that will help you solve these problems.

A Review of the Conventional Method

You are regularly instructed by needlepoint books and instructions such as those that come with kits to work the basketweave stitch from the upper-right to the lower-left corner. However, these instructions are only correct if you're using the sewing method without a frame. Remember that, in the sewing method, the needle is partially inserted down into the canvas, then forced up and partially out before pulling it and the thread through. If you use the sewing method, and if you are right handed, you should work the basketweave stitch from the upper-right to the lower-left corner with the top thread of an intersection going vertically on a down row. This is as most instructions advise (Fig. 1).

A Better Way - The Lower-Left Method

When working with a frame and the stab (or punch) method, the needle and thread are pulled all the way up through the canvas and then all the way down. With the left hand on top of the canvas, it is better to work from the lower-left to the upper-right corner with the top thread of the canvas intersection going vertically on an up row. In other words, when using a frame, a right-handed person becomes a left-handed needlepointer! See Fig. 2 for the progression of stitches.

(As usual, a left-handed person would reverse these instructions.)
Whether stitching from the upper right without a frame or from the lower left with a frame,
the important thing to remember is that the needle points away from your completed work as you insert the needle into the canvas, and the top thread of an intersection and your needle both lie in the same direction. By holding your needle in this manner when you use the stab method with a frame, you are duplicating the angles used in the sewing method. Thus you are able to produce the same beautiful basketweave effect while having the best features of both methods. You don't split previously worked stitches; the yarn pulls through the canvas more easily since it is not gripped or caught by split yarn. Less twisting occurs. There is more room for the yarn to spread out which provides better coverage of the canvas. Actually, less yarn is used since you do not include split yarn within the stitches. Most important, you get improved, less lumpy stitches resulting in a better appearance on the front of the canvas. Also, any necessary blocking will be easier since the worked canvas is more flexible.
As you are doing an up row with the
vertical thread on top of a canvas intersection, the needle should be held vertically at about a 40-degree angle up from the canvas, or as low to the canvas as possible while still clearing the canvas threads (Fig. 3).

As you are doing a down row with the horizontal thread on top of an intersection, the needle should be held horizontally at about a 40-degree angle up from the canvas (Fig. 4).

Alternative Lower-Left Method

If you find switching the direction of your needle too cumbersome, an alternative method is to point the needle diagonally toward the upper right corner on both up and down rows (Fig. 5).

You may pick up a few fibers this way, but you still get a good appearance on the back. Just keep the needle as low to the canvas as possible. Do not change methods within a color area as any change could cause a ridge across the front of the completed work. You may wish to experiment by stitching a small sample area with each method since the results from this alternative lower-left method can vary depending on the type of yarn and canvas you use.
To check your work, place the needle halfway through the canvas and look on the back to see if you are catching fibers. Your goal should be to avoid catching any fibers; however, you'll find it impossible to have your needle at such precise angles with every stitch and occasionally you'll catch a few insignificant fibers.

The Advantages of a Frame

If you mount your canvas on a frame, the overall results will be much better. It may seem quicker and more portable not to mount the canvas; but after working with a mounted canvas for awhile, your stitching speed will actually increase, equaling or surpassing that of the unmounted canvas method. You don't have as much wear and tear on your yarn as it is being passed through the canvas, and the tension of each stitch is easier to control. Another important benefit is that the completed canvas will need little or no blocking. Some pieces that are stitched without a frame can never be blocked satisfactorily.
If your needlepoint piece is too large to handle easily on stretcher bars, a scroll frame can reduce the size and make it more portable. Also, a scroll frame makes it easier to maintain a tight canvas. The canvas tends to become loose on stretcher bars and frequent restapling is necessary. Actually, canvas should be stretched across the working frame with the same tension as you expect the canvas to have on the final frame. The sides should be laced as well, even for basketweave.

Prove it to Yourself

If you're a serious needlepointer, prove to yourself the importance of adopting the lower-left method. With your canvas tightly mounted on a frame, make test squares of at least 1-1/2" x 1-1/2" using first the regular upper-right method. Then work a similar area with the lower-left method (see photos below). You'll be pleasantly surprised! 

 

 

 

 

How to Block Your Needlepoint

Most needlepoint pieces are more or less out of square when finished and must be "blocked" so that they are rectangular in shape.
Here's the easy way:

  • Using a spray bottle with water in it, mist both sides of your piece evenly. No need to soak it or wash it it, just a light dampening is what you want.
  • Now roll it up (not too tight) and place it in a plastic bag. Close the bag and put it away for eight to twelve hours.
  • You will need a piece of 1/2" (thickness) plywood. It must, of course, be a bit larger than the needlepoint you intend to block. You can get plywood up to 4' x 8' (four feet by eight feet) at a lumber yard. Lumber yards will cut these into smaller pieces and in fact often have them cut and in stock. Call them before you go. Be sure to get a grade of plywood that is perfectly smooth on at least one side. The softer the wood the better.
  • While you are out shopping, borrow or buy a carpenter's square.

    A carpenter's square is shaped like an "L". It has a rule of 24 inches down one side and 18" on the other leg.
  • You will also need a carpenter's pencil and a heavy-duty staple machine with a box of 1/4" staples.

    This is not an ordinary pencil or staple machine. The staple machine must drive the staples into wood. The pencil is made to mark on wood. You will find these items at the lumber yard or hardware store. You will need a sharp knife to put a point on the pencil.
  • Find one of the edges on the plywood that was cut by the mill that made the plywood. It will be perfectly straight and probably smoother than the lumber yard cuts. From this accurately cut edge, measure out and mark a line as shown in A.

    Then, using the carpenter's square, mark out a line as in B. Next, complete the rectangle allowing a generous margin all around as in C. Now, you can use the square and lay out any size rectangle using the lines you have drawn on the plywood such as the darker area in D. Note: Some expert blockers use masking tape to mark the lines instead of the pencil. This is an equally good method.
  • This same board can serve for many blockings. Just draw in a new box for each size as you need it. A board like this could be a club or group project.
  • Now you are ready to remove the dampened needlepoint canvas from the plastic bag and lay it face down (in most cases) on the board.
  • Use this method for stretching and fitting along the lines you have drawn: Starting at the upper right corner, position it carefully and staple it in place securely. The staple machine must be held firmly and squarely against the work. You may need to practice with the staple machine in an unused area of your board.
    Now go to the lower right corner and do the same. Staple it in place.
    Go to the lower left corner. Staple it in place.
    Go to the upper left corner. Staple it in place.
    All corners should be now be fastened securely in place.
    Now, straighten the right edge and staple. Next the lower edge. Then the left edge. Finally, the top edge.
    If the needlepoint canvas is properly dampened and prepared, it should be just that easy to get it stretched squarely along your lines.
    Be careful to staple as far out in the non-worked area of your canvas as possible as the staples may cut some of the fibers of the canvas.
  • After stapling, put the board in a warm, dry place. Leave it alone for twenty-four hours or until you are satisfied that it is completely dry. Then, remove the staples carefully. A sharpened blade-type screwdriver is the best tool for this. You should have a perfect job.
  • Can you use nails or tacks to fasten the canvas to the board? Yes, you can use anything you can work with easily. Just remember, you must be able to remove anything you pound into the board!
  • Do the fasteners have to be rust-proof? No, they are in contact with the canvas for only a short period, then are discarded.
  • Should the board be painted before using? That is up to you. It couldn't hurt anything.
  • Can I use other marking pencils and pens on the board? Only at your own risk. We use only the pencil. To prevent any graphite from rubbing off onto your needlepoint, you can spray your markings with a light coat of clear Krylon or other clear quick-drying paint.
  • I have read that some people have their board covered with gingham and use the squares in the cloth to align their edges. Will that work? Yes, this method has been used for many, many years. The key to using gingham successfully is getting it straight and fastened to the board. Not as easy as it sounds.
  • Are there any real pitfalls? Maybe. Many pieces have been ruined by soaking in water, washing with various soaps, and dry cleaning. Even the light dampening that we use can cause some marking pen marks to bleed and ruin your work. Many marking pens that are supposed to be permanent are not!
  • Any other questions? Go to our menu and select CONTACT. Please use the words NEEDLEPOINT BLOCKING in the subject box.
 
A Fringe for Your Miniature Rug - Coming Soon!
Interwoven - Coming Soon!
Preparing Your Canvas

The edges of your canvas must be protected so that they do not fray and unravel. Most instructions advise you to use masking tape to accomplish this. While this method is better than nothing, it is not satisfactory in many cases. We suggest that you sew binding tape over the edges. This will stand the twisting and turning that you will be doing as you work. Tips Index
Get the right tension - Coming Soon!
Stop Twisting and Looping of Your Yarn

As you stitch you may tend to rotate your needle slightly in one direction. Eventually this twists the thread and make itt form loops that tighten the yarn severly at the points where the loops are forced to straighten and go through the canvas. To stop this you must determine which way you are rotating the needle since each person forms particular habits that may cause a rotation in either direction. After you have done about 2/3 of an 18" lenght of yarn, hold your work upside down and let your needle hang free. It should spin in one direction or the other. Make a note of that direction and as you stitch, roll the needle in your fingers slightly in the reverse direction each time you make a stitch. Watch your work and if you see looping start to appear, increase the roll you apply to the needle. Many experienced stitchers have developed this habit to perfection and never think about doing it as they stitch. Tips Index
Matched Dye Lots

You can't depend on yarn to be the same color and character even though it is marked "Matched Dye Lot." This means that the manufacturer has attempted to match another dye lot. It may or may not match exactly. The only way to be sure that you have matching yarn throughout your work is to obtain yarn from one numbered dye lot. This usually means that you should be sure that you get enough at the time of your initial purchase to finish your work and have some to spare. Remember, if you make an error and have to take some yarn out, it can't be used again. Tips Index
Beware of Darker Colored Yarns

The darker dye processes are tough on fibers. Many darker colored yarns are thinner and have a different character from the lighter yarns. You may find, for example, that two strands of a certain light colored yarn will cover the canvas adequately, but when you go to a dark color, three strands are needed. The dark colors may be much weaker as well. Tips Index
Move Your Needle

As you stitch, the portion of the thread that loops through the eye of your needle gets the heaviest wear. Try to form a habit of moving your needle at least once during the time you use a particular length of yarn. Moving 1 inch or a little more will prevent the unavoidable fraying at that point from becoming so severe that it shows up as fuzzy spots in you work. Tips Index
   

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